Consideration III

        


poetryCOLLAGE: the texture of language
 

 

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Sister - Show me Eternity - and I will show you Memory - Both in one package lain
And lifted
back again.

Emily Dickinson
c. 1884














 
    
selections from: Remainders | Reflections
on exhibit at the Bennington Arts Guild
with sculpture by Ray Mullineaux
August 20-September 12, 2011


Fire + Ice (poetryCollage.com)
Fire + Ice  (5 1/2" x 16" framed to 20" x 16")
"Fire and Ice" by Robert Frost (1874-1963) inspired this triptych.  I imagined what it would feel like to be the surface of the earth during Frost's apocalyptic vision -- an issue perhaps even more urgent to us now than in his time.  Within this prophetic vision, there is a hidden reminder of hope and renewal: a tiny sprout in green and gold.

Frost had strong ties to Vermont; he lived in South Shaftesbury from 1920-1929 in what is now the Robert Frost Stone House Museum, and he is buried in Bennington. 

Kathryn Kosto Memory Eternity
Eternity/Memory (12" x 12" framed to 16" square)

This series of collages explores the connections and disconnections between our perceptions of time. Old keys and lock parts (that no longer work together) from the farmhouse I live in, and pressed flowers from seasons past create a sampler of memory (above) and landscape of symbols (below).
Eternity/Memory II  (poetryCollage.com)
Eternity/Memory II (12" x 12" framed to 16" square)
Kathryn Kosto Recollection

Recollection  (5 x 5" framed to 11" x14")

"Recollection" uses fragments of glass I found while digging in the gardens around the 1793 farmhouse where I live.  The ladder motif  is reminiscent of Jacob's ladder, a powerful symbol of movement and freedom; a verse from Phillis Wheatley's poem "On Recollection" is included in the collage.

The rich poems of Phillis Wheatley (1753-1784) are remarkable for their unexpected, fluid metaphors, and the context in which she wrote them.  Brought from Africa in 1761 when she was only seven or eight, Phillis Wheatley quickly mastered a new language and became a prolific writer, all while facing the cruel confines of life as a slave in eighteenth-century Boston.  She loved classical literature and learned Latin.

These collages examine her years as a young girl, a captive, a slave, and finally - and all too briefly -  as a free woman.  Her words, forever unshackled, dwell in the land of muses, nobility, and virtue that she so loved.



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